Spreading

《蔓延》是一组关于时间、身体与持续状态的绘画作品。

在这一系列中，长发不被视为人物特征，也不指向性别或美感，而被作为一种生长性的结构来使用。它像植物、像菌丝，也像时间本身——缓慢、持续、不可回收。发丝在画面中不断延展，进入空间、结构与环境之中，形成一种低速却无法被阻断的存在方式。

“蔓延"并不意味着扩张或占领，它既不指向结果，也不构成事件，而是在不被允许的速度中继续发生。当外部世界不断加速、压缩与要求效率时，蔓延呈现出一种温和而坚定的抵抗：不对抗、不回避，只是持续存在。

在这些作品中，时间没有被叙述，也没有被标记为瞬间或高潮。它不发生，而是继续。身体成为时间的承载体，绘画则记录这种非事件性的持续状态。

Artist Statement – Spreading

Spreading is a series of paintings that reflects on time, the body, and states of persistence.

In this body of work, long hair is not treated as a personal feature, nor does it refer to gender or beauty. Instead, it functions as a growing structure—resembling plants, mycelium, and time itself. The hair extends into space and surrounding structures, forming a mode of existence that unfolds slowly yet resists interruption.

Spreading does not signify expansion or conquest. It does not aim toward an outcome, nor does it form an event. Rather, it continues at a speed that is not permitted. In a world increasingly governed by acceleration and efficiency, spreading operates as a quiet and sustained presence.

Time in these works is neither narrated nor dramatized. It does not occur; it continues. The body becomes a carrier of time, and painting records this non-event form of duration.